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His subject’s fixed gaze
Peart evolved his practice towards minimalism and then later
While studying and working in Paris during the 1960s
In ‘Jack’s Beanstalk’
Christopher Rimmer 'The Means of Progress' mid century modernism His subject’s fixed gazeIn his series, Remnant, photographer Christopher Rimmer descends into the Australian outback. Set against the backdrop of covid, the resulting photographs are portraits of isolation, the Australian sublime and spent ambition abandoned service stations, unfinished railways lines and rusted debris. In The Means of Progress lies a carcass of agriculture. Rimmer sets up an ironic tension between the title of his work and its subject the means of progress
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