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this process gives each edition its own ‘aura’ while also requiring serious time and skill
Blackman was interested in capturing the same landscape at different times of day
For collectors of landscapes
primitive and intuitive art - acting as a proverbial roar against the establishment
James Whitington 'Chair (Parisians III)' bright & vivid this process gives each editionJames Whitington is a master printmaker and artist. From 1977 to 2000 he worked with a range of distinguished artists including Brett Whiteley, Charles Blackman, Tim Storrier, David and Arthur Boyd. In 1989, he had his first solo exhibition of paintings and monotypes. Chair (Parisians III) is a strangely beguiling image. It is gestural and abstract, rough to the touch yet liquid to the eye. In the dance of Whitingtons marks are infinite allusions:
