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It remains a high point of Swiss production
Wouldn’t it be nice to carve letters into slate
that this one makes us want to drive north
More to the point of today's post is the simple
What has a dancer to do with Trafton Script kenji-glows It remains a high pointWhen one works on books about slabs, stencils, shadows, and scripts, one needs a lot of examples around. Like, when Louise Fili was working on Scripts, she picked up this specimen of Trafton Script because like the dancer on the front, she is always on her toes and on the lookout for good stuff. This came to us straight from Louises collection.
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