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including the National Gallery of Australia
new life is born
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mezzotint on paper
Auguste Blackman 'Picasso's Monsters' - Acrylic on canvas italian artists including the National Gallery ofAuguste Blackmans depictions of the minotaur take after Pablo Picassos. The part man part bull recurs throughout the latter artists oeuvre, giving form to an entanglement of ideas. On one hand, it embodies Picassos lasciviousness, violence, guilt and despair. The minotaur is by nature uncontrollable; a victim to its own swelling instincts. On a more universal level, the minotaur symbolises the unconscious at large; for the surrealists, it evoked
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