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it won the Ingeborg Bachmann Prize
Berliner Plätzen
composed and interpreted by Claire Vailler
who entered the New York art scene in the late 1960s
ARTMargins, Volume 12 Issue 3 gallery it won the Ingeborg BachmannThe writings in this issue all share a preoccupation with the silences, disappearances, and contradictions within historical archives. Across national, regional, and diasporic spaces, they attend to the deliberate acts of remembering and forgetting that accompanied the political, economic, and technological shifts of the postwar era. Often violent, sometimes incomplete, these shifts required and begat different roles for artistic practice. The
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