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sculpture as a medium has undergone considerable stress and reappraisal
producers etc—but more specifically trusting the agency of the project and what it wants to reveal through us
Holding it all together for 900 pages is incredible
Steck’s spontaneous
ARTMargins: Sadism to Solidarity (MIT Press) record sculpture as a medium hasIt has become commonplace to acknowledge the internal exclusions constitutive of European modernism and modernity, whether in the form of art naf and primitivism or of colonial war and neo imperial social violence. Frantz Fanon poses a question all too easily forgotten in the increasingly mainstream endeavor of globalizing art: what does it mean to speak of national culture and, by extension, of culture generally, in the context of a struggle to
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