Australasian Artists at the French Salons Michael J. Murphy and staff training

and staff training

showing that the twenty-first century is as prone to sensationalism as the last century

and practitioners the reference information they need to meet the needs of an increasingly diverse population

van Zwoll has made guns and shooting his vocation for thirty-five years

Australasian Artists at the French Salons Michael J. Murphy and staff trainingFrom 1872 to 1939, a significant number of Australian and New Zealand artists were chosen for exhibition at the annual French Salons. The imprimatur of the Salons bestowed prestige, publicity and visibility, and increased an artists saleability, both at home and abroad. But the character of the Salons fragmented over time and selection became coloured by the nature of the Salon and the values it represented. Tradition, rebellion, innovation and unique