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the fourth issue of ETC
DEATH-DESIGN-DATA investigates the experience of death and grief in the digital era - one that is saturated with information yet finds itself devoid of rituality - and how art and design could play a role in reconciling humans with death
bad bangs of its own making
chromatic analogies
When is the Present delete the fourth issue of ETCWill Ashon looks to David Hockneys portrait My Mother, Bolton Abbey. The image is a joiner, a photo collage, of Laura Hockney made in 1982. Ashon creates a collage of his own, interviewing ten women of different ages and rearranging their responses; the result is a celebratory chorus and homage to the thoughts and memories that flourish when we lend our attention to an artwork.
