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family-based
one that generates discussion and maybe even motivates criminology to become more scientific
social disruption
From the Holocaust to Vietnam and Iraq
Canis Modernis Elizabeth Reis family-basedModernist literature might well be accused of going to the dogs. From the strays wandering the streets of Dublin in James Joyce's Ulysses to the highbred canine subject of Virginia Woolf's Flush, dogs populate a range of modernist texts. In many ways, the dog in the late nineteenth and early twentieth centuries became a potent symbol of the modern condition facing, like the human species, the problem of adapting to modernizing forces that relentlessly
