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and the “hidden heritage” of feeling like a perpetual outsider
Poor Walter
LOOVE Annex238 N 12th StreetBrooklyn
Performance at 7:30
s0nic 0penings tilting curvaceous CD Equalizers and the “hidden heritage” ofs0nic 0penings expands upon compositional what ifs and the plasticities of rhythm section dynamics. In this instance, tilting curvaceous interrelates fourteen possible extensions of its core materials potential to develop in multiple directions simultaneously. As with Ellington, Monk, Mingus, Ornette Coleman, Cecil Taylor, Henry Threadgill and many other A. A. C. M. composers, brennan generates specific sonic and conceptual environments for collective
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