Unfixable Forms Leopoldine van Hogendorp Prosperetti Grounded in work with the

Grounded in work with the spiritual dimension of others and aspiring to improve encounters at a spiritual level

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Unfixable Forms Leopoldine van Hogendorp Prosperetti Grounded in work with theUnfixable Forms explores how theatrical form remakes and is in turn remade by early modern disability. Figures described as "deformed," "lame," "crippled," "ugly," "sick," and "monstrous" crowd the stage in English drama of the sixteenth and seventeenth centuries. In each case, such a description distills cultural expectations about how a body should look and what a body should do yet, crucially, demands the actor's embodied performance. In the early