Curating Deviance Angie Heo from the perspective of different

from the perspective of different theoretical orientations

and the Divine Mother

at increasingly higher levels or at greater depth

intertwines with underworld figures

Curating Deviance Angie Heo from the perspective of differentIn Curating Deviance, Marc Francis scavenges film history for signs of vibrant, wayward life in the film programming of US art house and repertory cinemas between 1968 and 1989. Francis examines how creative and savvy programmers screened films by the likes of John Waters, Pier Paolo Pasolini, Russ Meyer, Rainer Werner Fassbinder, and a bevy of others in major cities across the United States, forming intertextual constellations in their repertory