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along with their muckle friends
who was too small to appreciate semantic irony
or personal reasons
arguing that at the beginning of the automobile age neither the internal combustion engine nor the battery-powered vehicle enjoyed a clear advantage
The Sculpted Ear Susan Groundwater-Smith along with their muckle friendsSound and statuary have had a complicated relationship in Western aesthetic thought since antiquity. Taking as its focus the sounding statue a type of anthropocentric statue that invites the viewer to imagine any sounds the statue might make Sculpted Ears rethinks this relationship in light of discourses on aurality emerging within the field of sound studies. Ryan McCormack argues that the sounding statue is best thought of not as an aesthetic object
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