ARONE MEEKS | 'Thylacine Bass Strait' | 2011 | Screenprint | Paper: 570 x 560 mm Birds PETER B MORRISON | 'Wongai

PETER B MORRISON | 'Wongai Tree II' | 2020 | Pen and ink on archival paper | 80

TAMIKA GRANT-IRAMU | 'Fragments of Ta Prohm: the canopy'

have since had a large and increasing impact on his life and

policy guidance

ARONE MEEKS | 'Thylacine Bass Strait' | 2011 | Screenprint | Paper: 570 x 560 mm Birds PETER B MORRISON | 'WongaiAt the heart of the work is Meeks unique visual languagewhere ancestral knowledge systems intersect with contemporary experience. Influenced by the Quinkan rock art traditions of Cape York and the ancestral presence of the Rainbow Serpent, his works evoke a living cosmology of guardianship, movement and renewal. Recurring formswaterholes, woven vessels and flowing systemsspeak to the interconnectedness of people, place and cultural responsibility.