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I can truly say
and Jenkins' Ferry
"-George Grob
and is one of contrasts
The Boy under the Bed Janet Rose I can truly sayThis second collection by award winning poet Philip Dacey runs the gamut from existential mysteries to domestic dramas. Dacey writes in both traditional and free verse forms, and organizes these selections into four sections whose focus gradually shifts from the inexplicable phenomena of 'apple doors' to the cultural otherworldliness of a foreign country, in 'Spanish artifacts'. The third section, 'nipples rise to spirit', traces a child's growth to
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