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Monica Huerta traces the subtle and paradoxical ways legal thinking through photographic lenses reinscribed a particular aesthetics of whiteness in the very conceptions of property ownership
including those labeled green or eco-friendly
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In a Rugged Land Michael Israetel overchargingThough photographers Dorothea Lange and Ansel Adams were contemporaries and longtime friends, most of their work portrays contrasting subject matter. Lange's artistic photodocumentation set a new aesthetic standard for social commentary; Adams lit up nature's wonders with an unfailing eye and preeminent technical skill. That they joined together to photograph Mormons in Utah in the early 1950s for Life magazine may come as a surprise. In a Rugged Land
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