Women Artists, Their Patrons, and Their Publics in Early Modern Bologna Linda Curran handling adverse effect emergencies

handling adverse effect emergencies

and a recognition of its increasingly rarefied qualities

theories of ancient migrations

practical strategies for helping students who require adaptations beyond traditional psychological assessment methods

Women Artists, Their Patrons, and Their Publics in Early Modern Bologna Linda Curran handling adverse effect emergenciesThis groundbreaking book seeks to explain why women artists were far more numerous, diverse, and successful in early modern Bologna than elsewhere in Italy. They worked as painters, sculptors, printmakers, and embroiderers; many obtained public commissions and expanded beyond the portrait subjects to which women were traditionally confined. Babette Bohn asks why that was the case in this particular place and at this particular time. Drawing on